Ambient music has fascinated me since I picked up
Aphex Twin's Selected Ambient Works Vol 2 back in '98 and began trying to get my hands on anything that the famous
Sleepbot Envirmental Broadcast streamed out. I'm still in the grips of this musical genre after all these years, and have been noodling about first with trackers, then
VSTis and finally hardware
synths + guitar ever since.
An interesting thread at
KVR on "dark ambient production" techniques provides some excellent insights into what goes into crafting these
soundscapes. The thread is
HERE.
One of the posts that is especially amusing and not entirely inaccurate deserves to be reprinted here.
Dark Ambient for dummies:
1 - Take any sound source, speech, banging on an instrument, Beatles records, shouting, whatever.
2 - Slow and stretch many times.
3 - Layer a few times, adding great heaps of delay and
reverb.
4 - Add even more great heaps of
reverb.
5 - Select an appropriately mysterious Old-World name like '
Geschwartzengeruhften' or '
Traumgespritzenereinheit'.
6. Add more
reverb, just to be sure.
8 - Take a foggy picture of either 1 - a crypt or cave or 2 - some astrophysical
phenomen, then collage with medieval
sigils and/or Cuneiform carvings for the cover of your CD, which should be called something like 'X-
Cthonian Antiworld Transmissions'.
9 - See yourself magically appear in this week's Cold Spring
mailorder update.